LotR
The Lord of the Rings and The Great Mother
I've written a Jungian analysis of The Lord of the Rings, where I explore how Tolkien’s epic reflects archetypal images and themes. As we will see, The Lord of the Rings is primarily about the mother archetype and the protagonist's individuation process.
In my analysis I assume that the reader has basic knowledge of Jungian psychology (otherwise, I recommend having Daryl Sharp's Jung Lexicon close at hand), has read Tolkien's The Lord of the Rings trilogy, and reads my comments sequentially.
The Lord of the Rings
The Fellowship of the Ring - Book One
4. A Shortcut to Mushrooms; 5. A Conspiracy Unmasked
7. In the House of Tom Bombadil
9. At the Sign of the Prancing Pony; 10. Strider
The Fellowship of the Ring - Book Two
6. Lothlórien; 7. The Mirror of Galadriel
9. The Great River; 10. The Breaking of the Fellowship
The Two Towers - Book Three
1. The Departure of Boromir; 2. The Riders of Rohan; 3. The Uruk-hai
4. Treebeard (with A Detour into Intuitive Writing)
6. The King of the Golden Hall
7. Helm's Deep; 8. The Road to Isengard
9. Floatsam and Jetsam; 10. The Voice of Saruman; 11. The Palantír
The Two Towers - Book Four
3. The Black Gate is Closed; 4. Of Herbs and Stewed Rabbit; 5. The Window on the West
6. The Forbidden Pool; 7. The Journey to the Cross-roads; 8. The Stairs of Cirith Ungol
10. The Choices of Master Samwise
The Return of the King - Book Five
2. The Passing of the Grey Company
3. The Muster of Rohan; 4. The Siege of Gondor
5. The Ride of the Rohirrim; 6. The Battle of the Pelennor Fields
7. The Pyre of Denethor; 8. The Houses of Healing; 9. The Last Debate; 10. The Black Gate Opens
The Return of the King - Book Six
4. The Field of Cormallen; 5. The Steward and the King